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The Right Musical Instrument for Your Child's Personality

Help your child pick a musical instrument that suits their personality.

Help your child pick a musical instrument that suits their personality.

Find the Right Instrument for Your Child

From 1991 to 2011, in my capacity as the administrator of a music school, I experienced the successful implementation of practical guidelines provided by Atarah Ben-Tovim and Douglas Boyd in their book The Right Instrument for Your Child.

Ben-Tovim and Boyd captivate the attention of parents and music teachers with a couple of statements:

  • Nine children out of 10 could succeed in learning a musical instrument;
  • Most of the children who give up learning instruments are just as musical as those who carry on—they fail because their instruments were wrongly selected;
  • Most children who start with piano before the age of eight will fail and believe that they are "no good at music";
  • Children who succeed on an instrument also do better in school.

Most matters regarding music tuition and the selection of the right instrument are covered in my article "Choosing the Right Music Instrument." I discuss the physical, mental, and personality qualities required by specific instruments.

In this article, I stress the personality requirements, but I emphasize at the same time that talented children are able to master any instrument of their choice. "Where there is a will, there is a way." Most children, however, want to play a musical instrument before they even know the various instruments orchestras/bands are composed of.

According to the research done by Ben-Tovim and Boyd, the following instruments suit specific personalities:

Concert Flute

Appeals to shy or lonely children who enjoy their own privacy. They may seem dreamy and forgetful but could be quietly sociable and will enjoy making music with other children in orchestras and bands of all kinds. The aggressive and dominant child may not find satisfaction with the flute.

Clarinet

Appeals to bright, alert, and sociable children with several different hobbies or interests. They look forward to playing with others in orchestras of all sorts.

Saxophone

Very suitable for children who are labeled as "casual" or "absent-minded." Happy, well-balanced, gregarious children who are not in need of a close relationship with a teacher find the saxophone an ideal way of getting into the world of making music with friends. The saxophone is designed for the delicious freedom of improvisation.

Oboe

Ideal for determined, tight-lipped, stubborn introverts who prefer only one to two close friends. Oboe players in an orchestra tend to make a little clan and keep to themselves.

Bassoon

For responsive and pleasantly gregarious children with a quiet sense of humor. They tend to be the practical jokers in the woodwind section of the orchestra.

Trumpet and Cornet

Appeal to sociable children with lots of "nervous energy" and can accommodate the aggressive, dominant, and ambitious child, as well as the easygoing—an excellent instrument for the individualistic child who wants to feel independent of the family.

Tenor Horn and Baritone

Very satisfying for gentle, peaceful children who do not want to dominate others. They are easygoing, responsible children who like being "in the middle of things." They are often asked to be organizers of rehearsals, the secretary of the orchestra, or the librarian of the orchestra's music.

French Horn

For children who prefer to relate to small groups. They do not easily mix with others. This instrument appeals to conscientious, intense, hardworking, and persistent children. It is a very difficult instrument to master but a challenge to the child who needs to prove themself as unique and special.

Trombone

Most fulfilling for artistic, quietly sociable, and sensitive children who need to feel that they are making the sound. Particularly satisfying for children who want to express their personalities playing in jazz bands.

Kim added the following description: "Trombone players tend to be a lot like saxophone players at times. But with a different element."

Euphonium

For responsive children who are readily reacting or replying to people or events or stimuli.

(Euphonium means "beautiful sound," and this instrument has indeed the most beautiful and soul-soothing sound.)

Tuba

Ideal for the responsive, good-natured boy who is happy belonging to a group and who tends to "lead behind the curtains."

String Instruments

  • Violin: For the quietly behaved children, neither solitary nor gregarious. They must be able to accept that their principal function as players is to contribute to a corporate sound—the individual string-player is rarely heard alone.
  • Viola: Appeals to responsive, kindly children who want to contribute to a group endeavor.
  • Cello: This instrument asks for big hands and long arms and often attracts shy children who need the respect of others but don’t like the limelight.
  • Double bass: Offers no outlet for the child who wants to dominate, but highly suitable for one with an interest in jazz music. Playing the double bass in jazz combo is fulfilling and creatively satisfying.

Piano

Most suitable for the quiet, intelligent, and conscientious child (from the age of eight). Gregarious children are miserable on this instrument, for it takes many years of study before it can be played with others. It is though an ideal instrument to begin with, as it provides a basic theoretical background for all other musical instruments.

Classical Guitar

Deeply comforting and pleasurable to the acquisitive or possessive child—perhaps a collector or a hoarder of pocket money. Chess players feel good reading and playing guitar music.

Also suitable for the self-contained and independent child who does not want open or equal-sided relationships. The child who succeeded in the guitar enjoys being alone. The classical guitar player will easily master the electric-, bass-, and folk guitar.

Percussion: Drums, Cymbals, Maracas, Wood-block, Drumkit, Xylophone

For the tense, nervous, often irritable, hyperactive, restless child, the percussion section of an orchestra offers satisfaction and fulfillment.

A drumkit player's dream is to play in a rock band.

"The man that hath no music in himself, nor is not moved with concord of sweet sounds, is fit for treason, stratagems, and spoils."

— William Shakespeare via his character Lorenzo in "The Merchant of Venice"

This content is accurate and true to the best of the author’s knowledge and is not meant to substitute for formal and individualized advice from a qualified professional.

© 2010 Martie Coetser

Comments

Louise89 on April 23, 2020:

Great info, thanks!

LOL laughing out loud funny joke *dabs* on May 11, 2018:

Choosing the Right Music Instrument for Your Child's gayness

Martie Coetser (author) from South Africa on June 23, 2017:

Peggy W, I always wanted to sing while playing the guitar, but oh, my efforts were in vain. I did sing in choirs, but my voice had no extra-ordinary qualities. I am sure your memories of playing the guitar and singing will always warm your heart.

Peggy Woods from Houston, Texas on June 22, 2017:

I never thought of matching a child's personality to the type of musical instrument they might enjoy playing. This is very interesting. I never took music lessons but did teach my self to strum a bit on a guitar after learning a few chords. Basically I liked to sing along with it.

Martie Coetser (author) from South Africa on January 01, 2017:

adam - ???

Martie Coetser (author) from South Africa on May 19, 2016:

Hi, drbj aka Sherry Superfine! Always nice to see you. I hope you are well. Choosing the right instrument is a must if you want your child to excel :)

drbj and sherry from south Florida on May 14, 2016:

Loved your hub on how to choose the right musical instrument for your child!

Martie Coetser (author) from South Africa on September 02, 2015:

DzyMsLizzy, thank you so much for sharing your experience. Yes, those beginners on the recorders can drive us nuts. However, I do believe that even the smallest effort to play a music instrument and to understand the theory of music enhances our appreciation of music and musicians. Sadly there are too many music teachers more interested in their own success than in the growth and development of their students, but I have forbidden myself to judge because I think I, too, would have given more attention to the little stars. I think this is natural. The wrong in this lies in the way the teacher encourages their stars and discourages their less talented students. I am glad you can still amuse yourself with a music instrument :)

Martie Coetser (author) from South Africa on September 02, 2015:

Hi Nell! Always good to see you :)

Liz Elias from Oakley, CA on September 01, 2015:

Eeek--beginning recorder players! LOL The elementary school my kids went to saw fit to give these (plastic versions) to kids to learn music..and oh, it was painful to hear them coming down the street "practicing" after school...overblowing the notes to a shrieking pitch...

Had I only known, when I was a child, that I probably was not suited for piano. But, we had one; my mother played, and (probably worse yet) the girl next door also played. So of course, I wanted to play, as well. I was duly signed up with the same teacher, but I did not do well. For one thing, I was a restless, tomboy kind of kid, not given to sitting still practicing. The teacher, it turned out, favored and spent more time with those who would make HER look good--the shining, bright, naturally gifted kids, while I and others struggled.

In 4 years of lessons, I never progressed past "John Thompson's First Grade Piano Book." Worse, she did not correctly teach the relationship between notes as relative values. Instead, she hammered home "a whole note gets 4 beats; a quarter note gets 1 beat; etc. Years later when I took an evening college recorder class I was thoroughly fouled up encountering the concept of "cut time." (My then-husband was an expert recorder player; all the voices, and tried to help, but I could not get it.)

Needless to say, I quit piano. In high school, I tried guitar. That went no better. I just never had the driving desire to put in the time for mastery. To this day, I play only well enough for my own amusement, and I'm not all that amused...

I like to listen to music, but I'm not a player of music.

Nell Rose from Buckinghamshire UK on September 01, 2015:

Came back for another read, wonderful again! shared, nell

Martie Coetser (author) from South Africa on July 01, 2015:

Thanks, finn!

Martie Coetser (author) from South Africa on June 04, 2015:

Nadine, Atarah Ben-Tovim and Douglas Boyd described the various personalities in their book 'The Right Instrument For Your Child'. I was the administrator of a music school for 20 years, and we have found the guidelines in this book very accurate and helpful -

http://www.amazon.com/The-Right-Instrument-Your-Ch...

Nadine May from Cape Town, Western Cape, South Africa on May 30, 2015:

Incredible how you have described the personalty types and behavior linked to a musical instrument. After my mother insisted that I learned to play the organ, which did not inspire me as a child, she put me onto a Concert Flute. It must be because I wanted to escape into a fantasy world where all clouds have silver linings. Ha Ha

Martie Coetser (author) from South Africa on March 14, 2015:

Hi Todd, music instruments are like partners - some are friends, others are enemies, only one is a very special friend for life. But I believe a man can have more than one special friend ?? :) Glad you found the saxophone :)

Todd on March 12, 2015:

Amazing stuff! Choosing the right instrument from the start is really important to sticking with it long term. I now play many different instruments, but I started on Piano. I ended up quitting after a few years because I really didn't connect to the sound. It wasn't until I started playing the saxophone that I really got excited about music.

http://www.yourmusiccoach.com/

Martie Coetser (author) from South Africa on February 08, 2015:

Hi Flourish, thank you for your profound comment. So sorry you didn't have the opportunity to play the saxophone. Sadly the aspirations of parents are not always in harmony with those of their children. Take care :)

Elaina Baker from USA on February 07, 2015:

I played flute three years as a middle school student because my mother had wanted to play flute as a child but her parents couldn't afford it. At the first opportunity (high school), I quit. I liked the instrument but didn't enjoy the competing for first chair and all. If I had freely chosen my instrument like my brother did, I would have chosen saxophone. Congratulations to you son on his tuba playing.

Martie Coetser (author) from South Africa on December 01, 2014:

Yosefa, I believe you know everything there is to know about music tuition. Thank you! Just for the record, I have a list as long as my arm to proof that children and adults CAN NOT play any instrument they like, unless they are extremely talented and they have no physical disability, like too short fingers, protruding teeth, etc, etc, or emotional hang-ups, like shyness, introversion and even extroversion.

BTW, what do you know? Are you a professor in music, or a highly talented musician able to play any instrument of your choice? I know quite a few people who can, you know, but when it comes to the music tuition of the majority children, only a handful are truly genius and able to play whatever they want. And of course, where there is a will, there is a way.

Yosefa on November 30, 2014:

Words do not describe how much I hate this post. A kid should listen to the instruments and choose which one they like the sound of best. Not to mention the style of music. All this personality stereotyping is bullshit. ANYONE CAN PLAY ANY INSTRUMENT THEY WANT.

Martie Coetser (author) from South Africa on October 28, 2014:

Hi Nina, that was not my opinion, but that of the authors of the book 'How to choose the right instrument'. Of course, I agree with you. I have known quite a few dainty female tuba players, although carrying that enormous instrument was always the worse part of their musicianship. Thanks for your significant comment :)

Nina on October 19, 2014:

I really liked most of this, until I got to the tuba bit. I myself am a small, female tuba player, so reading that this was for a 'good-natured boy' was mildly disappointing. In my opinion, it should say 'individual' instead of stating a particular sex.

Martie Coetser (author) from South Africa on July 30, 2014:

Hi Maggie, my apologies for being 5 days too late with my reply. In this hub I have only mentioned the different personalities suitable for an instruments. The book written by Atarah-Ben-Tovim also covers the physical acquirements. Sadly a child may have the 'right' personality for an instrument, but his teeth, lips, fingers and hands may keep him from mastering the instrument. I do believe teachers should know all about this. This is a book that belongs on the book shelf of all music teachers - http://www.amazon.com/The-Right-Instrument-Your-Ch...

Maggie.L from UK on July 24, 2014:

Hi Martie, I found your article fascinating. All three of my children play musical instruments and haven't really chosen them but play them because the opportunity arose to have lessons in school in these particular instruments. One of my children started taking flute lessons in high school and really wanted to make it work as she loves the sound of this instrument. But she just couldn't get a sound out of it even after a couple of months of persevering and her music teacher finally suggested trying clarinet, mentioning that perhaps the shape of her mouth wasn't quite suited to the flute. She now plays clarinet and is doing very well in it but still regrets not having success with the flute. I really enjoyed reading your article that certain instruments could suit different personalities. I never thought of that before. Voted up and very useful.

Martie Coetser (author) from South Africa on June 30, 2014:

Hi, Nell, since I can remember I experience a person/people playing music instruments as enormous magnets. The urge to join them can become unbearable and will always inspire me to play my own instruments until urgent obligations stop me. What on earth could be wrong with your son's girlfriend, not wanting him to play his instruments? Okay, let me admit, I hate listing to the rehearsals of drum players. They drive me totally crazy. I also don't like the sound of electric guitars. Anything 'electric' has become a source of irritation since I got spoiled by the sounds of classical instruments. The sound of the latter penetrates my soul. The healing, soothing and cleansing effect is indescribable. While electric sounds just don't have this kind of power. The same with live orchestras versus recordings or broadcastings via television and DVD's. Thanks for sharing this hub of mine, dear Nell.

Nell Rose from Buckinghamshire UK on June 29, 2014:

Hi Martie, really interesting to see what personality traits each child has and how it corresponds the the instrument, my son is a whizz at the Organ and guitar, he used to love playing both when he was here, I don't think his girlfriend likes him playing so at the moment he has stopped! lol! really interesting stuff, nell

Martie Coetser (author) from South Africa on June 28, 2014:

Bravewarrior, I was also a rebel, but my organ and diary were my best friends. Eventually I have replaced the organ with a piano, and even today I will not be able to live without my piano and computer (for writing).

Shauna L Bowling from Central Florida on June 28, 2014:

Sounds like a plan, Martie. Or you could come up here!

I didn't mind practicing. I minded my mother telling me to practice. I was a rebellious brat. That's all there is to it. I cut my nose off to spite my face with my bratiness!

Martie Coetser (author) from South Africa on June 28, 2014:

Bravewarrior, I had a passion for music and spent every available minute playing an instrument just for the fun of it. Unfortunately I have missed the opportunity to develop my talent to a professional level when we moved from one province to another where music tuition was not part of the school's curriculum and private lessons were unaffordable. Getting my grandchildren to practice is a daily struggle, although they still manage to show above-average progress. I have a plan - Get down here and be my neighbour, then we write and make music all day long :))

Shauna L Bowling from Central Florida on June 28, 2014:

Very interesting, Martie. I love the psychology behind each instrument. I played violin in 2nd grade. I don't remember how to play it at all anymore. Then when I was about 9 or so, I took up piano. My teacher, who was a concert pianist, told my mom I had a real ear for music. Sadly, I quit after about a year in rebellion to my mother's daily mandated practice time. I could kick myself for that. I keep telling myself I want to take refresher lessons. I can read music, but no longer have the fluidity of recognition from notes to mind to fingers.

Martie Coetser (author) from South Africa on April 06, 2014:

Sacha, we do encourage young students to try all instruments until they find their perfect match. But using Ben-Tovim-Boyd's method seems to be working like a bomb for the majority beginners. I am so glad you have finally found your sole mate in Jeffy the Banjo :)

Sacha on April 06, 2014:

Hi Martie! great Hub!

I tried many instruments when I was a child, ranging from piano and tin whistle, to guitar and accordion, giving me an intense phobia of the instrument, causing bad panic attacks.

I eventually gave up music for 9 or so years before I picked up the banjo. I've been playing for four months now and already I've made so much more progress than I ever did with the other instruments. Jeffy feels so much like an extension of myself that I get upset when I have to leave him behind (and refer to a banjo as 'him!). It may have taken 20 years, but I've found the right instrument for me.

Martie Coetser (author) from South Africa on April 03, 2014:

Iryana, I agree with you. I am also aggressive and dominant, and I love playing the flute. But keep in mind that exceptions are the order of the day. Even Einstein, who had been suspended from school inter alia due to a lack of interest in compulsory subjects, turned out to be a genius. I do think people with above-average innate ability to play a music instrument will be able to play any instrument of their choice. Where there is a will (and passion), there is more than one way.... I believe Atarah Ben-Tovim and Douglas Boyd's intention was to encourage ALL children to study at least one music instrument. I have indeed seen many successful results of decisions that were made according to their theories.

Enjoy your position as first chair! Just give it your all :)

IryanaArceneaux on April 02, 2014:

It says aggressive or dominant children will not be satisfied with a flute well I am both aggressive and dominant apparently and I love playing my flute and I excell at it in act I am first chair

Martie Coetser (author) from South Africa on February 26, 2014:

Nellieanna, Val is so lucky to have you in her corner. Is it not strange how certain friends can bring out the AAA's in us? My deepest condolences to Val. It can certainly not be easy for her to addapt to her new circumstances. Take care, my dearest CM :)

Martie Coetser (author) from South Africa on February 26, 2014:

Thank you, aviannovice :))

Nellieanna Hay from TEXAS on February 24, 2014:

At least another 20 years! I promise!

Incidentally, I've spent quite a bit of time today and will be continuing tomorrow, - and who knows how much more, - assisting my dear friend Val in the aftermath of her husband's death in January. He was 93. She's still fairly active, very glamourous & 89 years old. They were married 68 years, during which she relied on him for taking care of most things other than her own personal interests.

Her aptitude for what she needs to do now is quite negligible, so I’m helping her through it. Her son and daughter aren't much help in these matters.

So much of it would be easily done and dispensed with, but for her naivety and hesitation. I’m not so much an A-type, but when I’m with her (or her daughter), I feel more like a triple-AAA type! haha.

Deb Hirt from Stillwater, OK on February 23, 2014:

Very well done and I found this most interesting.

Martie Coetser (author) from South Africa on February 23, 2014:

Nellieanna, we know time flies, but this 3 years since I have published this hub feel like 3 decades. So much had changed during these past years, or rather developed into a different shape - my personal circumstances and also my entire concept of politics and social issues, as I have learned so much about so many things in this amazing site, Hubpages, with all its profound articles published by serious, inquisitive writers. Thanks to friends like you, my small world down here had grown into a much larger universe, expanding all the time. (Instead of stagnated, like the worlds of too many people when they have reached the level where they feel the most comfortable.)

This specific hub is supposed to be a reference to a guideline that will enable parents and teachers of aspiring musicians to make a choice. But people should know that nothing in this world has boundaries like a box. We can't categorize and label everything, and not even according to scientific researches. There are always-always exceptions, and always new knowledge to be discovered. But yes, when we don't know where to start, we should consult 'instructions' before following our own gut feelings.

Thanks so much for your never-ending support, my dear cyber-momma. I feel honoured with you in my corner :) Please take care of yourself. for I need you for at least another 20 years :))

Nellieanna Hay from TEXAS on February 23, 2014:

Since I first read this a lengthy 3 years ago, I've known you so much better, and know just how much true talent you have for music and for fitting people to instruments. This time, I see several instruments which would have fit my disposition, had I known. I truly love the piano, but perhaps some other would have brought out more of my musicality. Anyway, this should be required reading for anyone, parent, advisor or teacher, having to do with music education for children!

Martie Coetser (author) from South Africa on November 23, 2013:

Hi Martin, thanks for clicking in for the read. I think I am repeating myself by saying that this criteria set by Atarah Ben-Tovim and Douglas Boyd are not the alpha and omega of music tuition. For example, my granddaughter's personality doesn't meet the criteria for violin, yet she started to play it at the age of 6 and she still enjoy playing it at the age of 10. On my way to your site... at http://www.yourinstrument.com/

Martin on November 23, 2013:

I really spend a lot of time reading this hub. Time properly spent. I actually enjoyed some comments too. Check my instrument blog at www.yourinstrument.com

Martie Coetser (author) from South Africa on October 27, 2013:

Good luck, Caroline! I love the sound of the euphonium. Let me give you a link to an article I have written about it - https://discover.hubpages.com/community/The-Euphon...

You may even like the trombone - (I still have to write something about the typical trombone player. They are more outgoing than the euphonium players and very often the clowns in the brass section of an orchestra.)

Remember, where there is a will, there is a way :)

Caroline on October 27, 2013:

Thank you Martie :-) I did not practice as much over the summer holidays and it seems like my mouth muscles went pretty fast (making obtaining the higher notes even harder!). I just rent my flugelhorn, so maybe I might try something else for a month like a tenor horn or euphonium to compare how easy it is to obtain the high registers on each instrument relative to each other... I will let you know if I find any difference! Thanks again

Martie Coetser (author) from South Africa on October 26, 2013:

Caroline, your entire comment makes a lot of sense. The shape of the teeth effects embouchure (the shape of the mouth and lips when playing a wind instrument), and embouchure plays a major role in the production of sound. Try to relax your mouth/lips for lower notes. Also try bigger mouth-pieces (that will fit into the flugelhorn). If nothing works, try another instrument. BTW, due to my big front teeth and overbite I could not get on top of the trumpet and cornet, so I took up the flute. But don't let me talk too loud; I haven't touched the flute in ages! I will have to start with lesson one again. Losing one's embouchure happens twice as fast than obtaining it, if not faster. Good luck! Let me know the results of your experiments :)

Caroline on October 23, 2013:

Don't know if this will make sense, but I'll give it a go....

I taught myself the flugelhorn, but still have trouble with high notes. As well as developing the correct embouchure, I am wondering if it is just my mouth anatomy (big front teeth and overbite) which make the higher notes harder. I can get very low notes easily down into double pedals and beyond (although I know the flugelhorn is easier to control on the lower notes compared to say a cornet which is easier on higher notes apparently). My question is: Do some brass instruments require a looser mouth (as in low note playing with more loose lips) for their full range and some require a tighter mouth for their range? Therfore maybe I could switch to a 'looser/lower' brass instrument? Haha, I hope that makes some kind of sense!!!

Martie Coetser (author) from South Africa on June 29, 2013:

Heather, I am also not sure about 'their' idea that a child should wait until 8 for piano, although I must say that I've observed the difficulties experienced by kids under 8 on the piano. But true, we still have little Mozarts among us. My own granddaughter of 5 has shown interest in the piano since she was a baby. So I allowed her to play and still do, and teach her some basics, mostly finger-exercises, as the opportunity presents itself. To my surprise she has recently 'composed' her own song, which she prefers to play instead of 'Mary Had a Little Lamb'. She also attends formal lessons, on the recorder and the piano - but we don't put any pressure on her. She loves music theory! Can you believe it? Although for pre-school it is but only the most elementary playing with notes. Thanks for your generous comment :)

HeatherH104 from USA on June 27, 2013:

Very interesting. I'm not sure I agree with the waiting until 8 for piano. I've read a lot of studies of the benefits to learning piano young. I started my son on piano at age 4 (he's now 5) because he was "dying to learn". I keep his lessons very short (about 10 min) and his practice times are very short as well. He learned how to read music very quickly and looks forward to playing. Each kid is different though, and I won't give piano lessons to every 4 or 5 yr old.

Love the instrument guide. My major instrument was flute and I'd have to say I think what you wrote is me spot on! :)

I agree that a child who picks for themselves which instrument they want is more successful.

Good hub!

Martie Coetser (author) from South Africa on May 25, 2013:

Band student, I do know many flute students who are not shy. I am one of them. Yet, we have found the flute to be the ideal instrument to help YOUNG music students to overcome shyness. This hub addresses but only the beginning - the choosing of the first instrument. Once a child is into music, they soon find their own way and pick their own favourite instrument.

I also know that in the world of professional musicians, and even amateur adults, characters are like mercury, adapting, and so often surprising themselves while being what/who they would never have been in another environment. Thanks for your comment, and for reminding us to have a flexible and not a rigid attitude especially when it comes to music and the instruments that are actually doors to the wonderful world of music.

Band student on May 24, 2013:

Flutes= shy

Hahaha nothing like our flutes they're super competitive and whine about their parts... Actually all woodwinds whine about their parts...trust me I am one of them...piano before eight is a huge generalization I still love piano, and I'm pretty sure many concert pianist do too; I'm pretty sure its all about attitude and personal goals oh and practice lots and lots. The article is total baloney a parent or student shouldn't pick out an instrument just because it matches their personality if it takes a couple times to find the right instrument then so be it! Obviously you haven't seen many of the band/orchestra Memes... Now those are spot on!

Martie Coetser (author) from South Africa on April 29, 2013:

Good to know you found the comments hillarious, Fred. I never get the time to read comments on my hubs twice, but now I am curious to read these again. Take care!

Fred on April 29, 2013:

All the comments on this page are hillarious!!! :) LOL

Martie Coetser (author) from South Africa on April 12, 2013:

Hi SilverGenes :) Most children are attracted to a specific instrument. Teachers should allow them to follow their heart. But then there are also many students who have no idea what they want and can do in the world of music. I wanted to play the guitar myself, but for some reason I was not able to. The piano and organ, however, were magnets; playing them just came natural. I was already in my thirties when I took up the flute, and just because I thought it would be the easiest to master.

Thanks for clicking in for the read and for your kind and generous comment :)

SilverGenes on April 12, 2013:

This explains quite a lot! I wanted to learn guitar so I was sent for violin lessons but made my best friend carry the case when we got near school. At home, I practiced diligently by strumming it LOL. End of violin. Next came the piano and I spent practice time climbing out on the eaves of an old Victorian era school to smoke cigarettes. I was an adult when I finally got my own guitar and played it every day until my fingers bled. Got some pretty good callouses eventually and yes, I was quite alone in the northern bush a couple of hundred miles north Lake Superior LOL. Leona Boyd was my hero!

What a great idea for a hub and I just love how you put it all together! Now I need to catch up and read all your fantastic instrument hubs!

Martie Coetser (author) from South Africa on April 11, 2013:

Alexandra, I agree with you. Thank you so much for emphasizing the fact that gender has nothing to do with music and music instruments. Enjoy your tuba! I love it and wish I could play it..... :)

alexandra on April 11, 2013:

i play the tuba and it truly does feel like an extend of myself and i wouldn't dream of playing another instrument but i was a bit mad when they said that the tuba is great for boys, well let me tell you that's not true, i have a friend that is a boy that has played the tuba for 6 months in school, and i only played it for 3 months and i was already ten times better than him. there is no such thing as an instrument for a specific type of gender same goes to the flute where boys are discouraged on playing the flute because their gentle instruments and only girls play it. i have a friend that is a boy that plays the flute and he was also ten times better than the girls after 3 months of playing. just because an instrument is to big and makes a deep sound doesn't mean that it's a boys instruments, and just because an instrument is small and makes a clear and beautiful sound doesn't mean that its for girls only.

Martie Coetser (author) from South Africa on March 22, 2013:

Hi Lloyd, I have covered mostly only wind instruments with this hub. Still have to do strings :) Out of the fist I would compare the harp with the flute...

LloydC on March 22, 2013:

How about the harp?

Stephanie on January 31, 2013:

Oh I know ;) I'm just having some fun. Thanks for giving me a laugh today.

Martie Coetser (author) from South Africa on January 31, 2013:

Oh, Neinahpets, you know what I mean..... But they are adorable! Lol!

Stephanie on January 31, 2013:

Haha maybe you are right!

Martie Coetser (author) from South Africa on January 31, 2013:

Neinahpets, of course, there are always-always exceptions to the rules. Yes, if you are not the 1st violin (and concert master on the 1st chair), you are just one of many. But not really. Behind each and every instrument is an individual musician, able to make or break an entire orchestra. Thanks for your lovely comment.

PS: Maybe you should have chosen the trumpet, because they cannot be ignored. Lol!

Stephanie on January 29, 2013:

Very clever, but I will have to say there can be some exceptions to the 'rules' (but of course nothing is cookie cutter in the world). I've been playing violin off and on for 20 years and I was the type that wanted the spotlight and attention as a child. I guess that's why I worked hard to get first chair so I could get the solo performances! Hahaha. Great read, voted up and interesting!

Martie Coetser (author) from South Africa on January 29, 2013:

Hello, AlliOop, I agree wholeheartedly with you. Amazingly, we humans CAN do anything if we have the WILL to do it. We see miracles - handicapped children/adults achieving great heights on music instruments, and we also see many with the talent of a genius, but not able to play a melody with one finger, just because they are not interested. Without our 'will' we will achieve nothing.

Sadly, too many parents force their will down unto their children, provoking only stubborn refusal to co-operate.

I never 'practiced', but 'played' and I 'played' until I could play a piece well enough to entertain an audience - even if the audience was only my family and neighbors.